I left the house 5:30 for a 7pm show. The bus I most wanted was scheduled to leave in 48 minutes. Too long. I went for the alternative bus, transferred at Chinatown and the bus arrived and went on.
I plugged in the address for the place I was supposed to be in my phone, but could barely make heads or tails of where exactly I was and where was my end point.
A woman on the bus with an English accent kept asking aloud for park street until a man stepped up to help her. He empathized, being from the middle east.
I’m from London, she said. And lived in Sonoma for two years. This is my first time here.
The man was eager to point out her stop for her.
The buses in London make so much more sense, she said.
The man got off. The woman turned to me to ask if that stop had passed already.
I don’t think so. I said. I’m looking for an address myself.
I never found it. She got off the bus and I ended up going to the end of the line feeling defeated. WTF happened?
I got off the bus and looked around. I’d been here so many times but this time I felt like a tourist. I nearly got back on the bus to retrace my route, but stood there as the bus started and pulled off.
I looked at the clock, mourned not having a car, looked at the Nextbus schedules. I tried looking up the curators number, but didn’t have it, then sent two emails saying I was lost and didn’t know how to get where I was going. I felt panic, the impending realization I was about to flake, but deeper within me I felt something else.
I was at work earlier in the week when the curator for the reading posted the advert for tonight and I wasn’t listed. She’d written me nearly a year to the day asking, and then subsequently went on without me and seemingly asked someone at random to fill my slot.
If i hadn’t said something, I would have been forgotten.
Somehow, this feeling in me standing at the end of the line of all buses, I felt and thought about — not the curator — but rather the woman who gave birth to me. How easy it was to just go on without me. My hurt about abandonment, about being left behind or forgotten… The real word I want here is: Disposable. My hurt over feeling disposable strolled up and took my hand and stood with me in the cold while I thought: I’d rather be home.
If everything happened as promised, if there’d been no misunderstandings, I would have probably taken a taxi there an hour early. But instead, I stood there thinking how everything transpired over the previous couple of days, and my desire drained from me as if somewhere a plug had been pulled.
I went home.
***
The previous night, Friday, I was asked to read for the anniversary gathering of a local theater that has been shuddered. A vibrant hub of the artistic community, the Black Box theater was established 10 years ago and a group of people put together a celebration to acknowledge its place and legend in the bay.
The event took place at a huge office building just off the lake. I arrived just after 9. I wasn’t sure where the event was taking place since there was no signs and no activity, but i found a way in and up to the mezzanine. The event was divided into two large rooms. One was a large open space full of local art on display. One one side of the room were five glassed offices where five artists set up tables to sell their jewelry and other wares. A bartender was posted in one far corner, and a modest stage in the other. On stage was a dj booth, a drum set, and some guitarists, plus mics.
Beginning at 10 pm, There were about 20 poets scheduled to perform– all dynamic and powerful writers and performers, all of whom have a history with the theater and are making history with Oakland. I was scheduled to read second.
The room was cavernous. Minglers scattered around, standing, drinking. The opening performer read. i sat in a folding chair in the front row at her feet and heard her voice, float on a dense wave of conversation flooding this room. I went up on stage suddenly ashamed of my work. I consider it good if you’re listening and being present with it. But to run in the background while you’re already talking, drinking, distracted and half listening — I don’t know what it would sound like. I read off the page and looked up. A woman came in the room, approached a group of folks standing in a tight circle and hugged someone. I glanced over at another part of the room and saw a newscaster from the local news, standing looking at me as if trying to figure me out. I became nervous and plunged my face back into my book.
No sooner than I got off stage was I tapped by this dude who demanded to talk to me. He wanted to know about the Sandwich poem I read, then said he wanted to tell me an idea he’d been thinking about, but if I used his idea he’d have to kill me.
He said this without a stray chip of irony or humor.
I said it was safe to tell me, though I was distressed at being just feet away from the stage while another performer read and being engaged in a conversation. It felt disrespectful since I couldn’t hear her. While listening to him talk about his turkey sandwiches connection to the revolution, I looked at the young woman on stage who was performing something from memory. I saw her scan the room with her eyes and then — lose it. Lose her place in the poem and her memory and flow stopped dead. The room was a black hole of energy.
I turned back to the man talking to me– his nose seemed like it was transplanted onto him from an egyptian mummy. The skin around it was smooth and taut as if covered with a dark skin-tinted saran wrap. He talked and talked until finally the woman who opened the show came over and said to the man: Excuse me, May I rescue this brother. I need his help.
I grabbed my jacket and pack and followed her to the door.
We both stopped at the young woman who followed both of us. I hugged her lightly. I felt for her. Being on that stage right now is hard.
I followed my other friend out of the room and down the escalator. She wanted me to walk her to her car– she was going home and had to let her babysitter go before a certain time. On the walk across the street to her car, she asked:
Do you know the brother you were talking to?
Not at all. He just heard something I did and wanted to talk about his idea. Said if I stole it he’d kill me.
She said: Well, he used to lightweight stalk me back in the day…
And she told me what she knew and remembered about him.
Once back at her car, she said: You’re going back, right?
No, I said. I’m going home.
***
She dropped me off home and I immediately jumped on line.
the only person I told about the event and who said she was going to come, had sent me a message: I’m here and in the second row.
I felt defeated not only because I’d already left, but because she was in the second room that had been set up for the music half of the event. It was a theater with seats and a huge stage with a video loop running on the backscreen.
I wrote her back, panicked and a bit embarrassed. But she said: no worries. She apparently showed up after I’d gotten off stage down the hall and would’ve missed me anyway.
She told me, for the record, what she saw on the music stage was good and she had a great time.