February 27, 2009 @ 5:17 pm
Black History Month Blowout #20 (A Black History Month Happy Friday Mix-tape and Confessions w/ Robert Hayden)

Those Winter Sundays


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Many years ago, devorah major called and asked me to read poetry for a class she was teaching. This was in San Francisco way back when I worked for a dot com– and her class was somewhere in the neighborhood. We knew one another from passing each other at various readings and she was always warm and receptive to my work. The reading in her class went well– afterwards, devorah invited me to participate in a writer’s workshop she was organizing.
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Does hell exist?
The answer seems to be Hell is on earth. With us.
Gently picture the genocide in Rwanda. As broadcast on tv– bodies laying in piles like firewood or strewn along the ground in some perverse patchwork.
Reverend Carlton Pearson sat watching this unfold on television with his daughter. According to his story, it was then he received an epiphany from God– forcing him to rethink his perception of what hell is and how it works.
As a minister whom Oral Roberts once referred to as his Black son, Pearson’s licence as a Pentacostal preacher from the Church of God in Christ pretty much required him to reach out and Save as many people as he could.
Save– from what?
Well, Eternal Damnation in the pit of hell.
Simply by not believing in God– irrespective of how one lives their lives or what religious doctrine they choose to follow, according to the church– if one is not saved, your reward lies in a boiling pot of lava in the pit of hell.
So– for all those people, there would be no salvation anywhere. To live in Rwanda, to be victimized in genocide– to die without ever speaking to a man in a collar, to not know Jesus, you would go from the pile of bodies on earth, to a pot of fire in Hades. Somehow, this idea doesn’t sit right with Pearson, and me either. Full disclosure, I am a Christian, and believe in Jesus. My grandfather was a preacher, and I further acknowledge even he and I might wrestle over this.
Pearson didn’t wrestle. Pearson began preaching a gospel of inclusion. He stopped believing in hell as a reward, that innocent men and women– who in life were neither bad or sinful, would not suffer eternal damnation. God forgives sin. Heaven is open to everyone. Somehow this idea made many of his devoted parishoners walk out and label Pearson a heretic: a person who’s religious beliefs are in conflict with the church.
And its not as if he comes off as a bad person or a preacher with a pimp nature. Its not like he owns a fleet of Rolls Royces, appointed in mink, painted a different color for every day of the week…
While listening to Pearson’s story on a 2005 This American Life episode, Ireasoned the church needs hell in order to motivate male parishioners to attend service. A man needs to understand by doing something (attend church!) he’ll gain something (escape from damnation!)– But without hell, without an obvious punishment for activity, without thinking that you are being judged by your actions and they count either towards your reward or your discipline– what reason is there to attend church?
Discuss.
Carlton Pearson is a native Californian, born in San Diego, 1953. He is a singer, author, and minister– currently presiding over New Dimensions Worship Center in Tulsa, Oklahoma. He attended Oral Roberts University and studied ministery under Roberts until that snag happened. Afterwards, Roberts and many of his followers cut ties with Pearson and considered his new beliefs dangerous. In his own words:
I think we in evangelical Christianity have ignored the Sovereignty of God and limited the scope and sweep of His great Love toward all. Scripture says, “While we were yet sinners, Christ died for us” ( Romans 5:20)— He died once for all. (Romans 6:10 and 1 Pet. 3:18) And contrary to popular opinion, our belief systems and religious presuppositions do not invalidate or reverse the effectiveness or efficiency of the finished work of Calvary. (Rom. 3:3).
The whole world is saved (redeemed), but all are not aware.
If death is automatic because of Adam, life is automatic because of Christ, without our vote or prior approval. As the disobedience of one man made us all sinners, by the obedience of one man we were all made righteous. (Romans 5:12-14 and 1 Cor. 15:22).
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…The gamblers and mining men made up a purse of $200 for a roping contest between the cow boys that were then in town, … It did not take long to arrange the details for the contest and contestants, six of them being colored cow boys, including myself. Our trail boss was chosen to pick out the mustangs from a herd of wild horses just off the range, and he picked out twelve of the most wild and vicious horses that he could find. The conditions of the contest were that each of us who were mounted was to rope, throw, tie, bridle and saddle and mount the particular horse picked for us in the shortest time possible. The man accomplishing the feat in the quickest time to be declared the winner.…The name of Deadwood Dick was given to me by the people of Deadwood, South Dakota, July 4, 1876, after I had proven myself worthy to carry it, and after I had defeated all comers in riding, roping, and shooting, and I have always carried the name with honor since that time.It seems to me that the horse chosen for me was the most vicious of the lot. Everything being in readiness, the “45″ cracked and we all sprang forward together, each of us making for our particular mustang.
I roped, threw, tied, bridled, saddled and mounted my mustang in exactly nine minutes from the crack of the gun. The time of the next nearest competitor was twelve minutes and thirty seconds. This gave me the record and championship of the West, which I held up to the time I quit the business in 1890, and my record has never been beaten. It is worthy of passing remark that I never had a horse pitch with me so much as that mustang, but I never stopped sticking my spurs in him and using my quirt on his flanks until I proved his master. Right there the assembled crowd named me Deadwood Dick and proclaimed me champion roper of the western cattle country.
They were all well mounted and they were in full war paint, which showed me that they were on the war path, and as I was alone and had no wish to be scalped by them I decided to run for it. So I headed for Yellow Horse Canyon and gave my horse the rein, but as I had considerable objection to being chased by a lot of painted savages without some remonstrance, I turned in my saddle every once in a while and gave them a shot by way of greeting, and I had the satisfaction of seeing a painted brave tumble from his horse and go rolling in the dust every time my rifle spoke, and the Indians were by no means idle all this time, as their bullets were singing around me rather lively, one of them passing through my thigh, but it did not amount to much. Reaching Yellow Horse Canyon, I had about decided to stop and make a stand when one of their bullets caught me in the leg, passing clear through it and then through my horse, killing him. Quickly falling behind him I used his dead body for a breast work and stood the Indians off for a long time, as my aim was so deadly and they had lost so many that they were careful to keep out of range. But finally my ammunition gave out, and the Indians were quick to find this out, and they at once closed in on me, but I was by no means subdued, wounded as I was and almost out of my head, and I fought with my empty gun until finally overpowered. When I came to my senses I was in the Indians’ camp.
Love remained with the Indians for a while– they treated pretty well, even broke him off with some squaws— but he eventually escaped.
In Mexico, he met and fell in love with a Spanish woman, who eventually took sick and died. After that, the life of being a cowboy ‘lost its attractions’ and he relocated to Denver, where he met his second great love and first wife. He married Mrs. Love in 1889. While in Denver he took a job as a pullman porter with the railroad. 
He died at age 67 in 1921. You can, and should, read his autobiography here.
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They formed at the Institute of the Blind in Alabama, 1939. That’s 70 years– a fistful of years longer than the Stones have been together. Members, natch, have been replaced over and again. For decades they were strickly gospel–but have expanded their repetoire to include non-gospel songs that still have a spiritual root. At first their cd Spirit Of The Century raised my eyebrows, seeing their cover of Tom Waits’ tunes– but no. A closer inspection revealed that Way Down In The Hole, the title song they did for season three of the series The Wire, and Jesus Gonna Be Here are both songs that have a strong spiritual message. When I first heard Jesus Gonna Be Here for example, I thought– I’d love to share this with the church, but them old schoolers would be suspicious of Tom’s Godzilla like voice barrelling through:
I got to keep my eyes open
So I can see my lord
Im gonna watch the horizon
For a brand new ford
I can hear him rolling on down the lane
I said hollywood be thy name
Jesus gonna be
Gonna be here soon
I first heard of them in 1985’s The Gospel at Colonus– a gospel music retelling of Oedipus at Colonus (with Morgan Freeman at the plays’ preacher, er, Messenger). Thanks to the library I began digging through their catalog and found a motherlode of incredible songs. The group pays listeners back with a tonality and harmony that strokes your spirit. Though the group has been together longer than the Grammys have been handing out awards, from 2002-2005 they won Best Traditional Soul Gospel Album. That’s certainly one way to describe their work. Um, did they even have any competition? Its not even worth googling…
Wikipedia has a cool list of their albums since 1948.
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Sam Hopkins was called to minister the blues at age 8 when met Blind Lemon Jefferson at a church picnic. By 1946 Hopkins was performing in Houston’s Third Ward when he was discovered by a rep from Los Angeles’ Aladdin Records. She convinced Hopkins to travel to Los Angeles and record tracks with pianist Wilson Smith. An executive at the label was who gave Hopkins his “Lightnin” knickname.
Hopkins eventually returned to Houston and continued recording and performing. Hopkins was one of the most prolific blues musicians when it comes to recording—its estimated he’s made between 800- 1000 songs over the span of his career.
Folklorist Mack McCormick introduced Hopkins to a wider audience by signing him onto a folk revival tour. He debuted at Carnegie Hall in October of 1960, sharing the stage with Joan Baez and Pete Seeger. Through the 60’s and 70’s, Hopkins travelled world wide playing festivals and touring colleges and folk music clubs.
Get a sample of his music and hear one of my favorite stories in the documentary Les Blank made about Hopkins back in 1967.
Hopkins died of cancer in 1982.
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As a native of Oakland, one of the names Ive heard and seen a lot is Marcus Foster. Originally from Pennsylvania, he served as principal of Simon Gratz high school in Philadelphia as well as Associate Superintendent of Schools. He eventually became the first African American superintendent of the Oakland Unified School District.
In 1973, he was the first person assassinated by the Symbionese Liberation Army—not so much an army as a gang of thugs who kidnapped Patty Hurst, committed bank robberies and murdered Foster with cyanide coated bullets.
They had issues with Foster whom they believed supported student i.d. cards—something proponents claimed would help keep non-student drug dealers off campus. Turns out Foster’s actual plan wasn’t quite as restrictive.
The city of Philadelphia awarded Foster for the work he had done for their school district and eventually created an award for noteworthy school administrators. Here in Oakland there’s the Marcus Foster Educational Institute giving scholarships to High school students and awards to teachers who’ve created unique projects.
Shout out here to Ed Bullins, born in July 1935 in Pennsylvania. Bullins is primarily a playwright – His first, How Do You Do, premiered at the Firehouse Repertory Theater in San Francisco in 1965.
Bullins found inspiration in the work of Amiri Baraka whose plays touched on themes Bullins himself wanted to explore. Bullins along with Baraka, Huey P Newton, Bobby Seale, and Eldridge Cleaver helped found the cultural and political organization called The Black House. Bullins eventually would become the minister of culture for the Black Panther Party. But the Panthers were after more propagandistic theater than what Bullins wanted to explore, so eventually left to focus on his own writing. In 1967 he became playwright in resident at the New Lafayette Theater in New York. He is the author of more than 50 plays.
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James Cagney is a writer, poet and performer as well as a Cave Canem fellow from Oakland, Ca. He's appeared as a featured artist at venues such as the San Francisco Public Library, The Starry Plough, La Pena Cultural Center, Above Paradise Lounge, The Stork Club, Spasso's Cafe, The Java House, Mahogany Restaurant, and OK Hotel among others. He has performed the monologue The Two Chairs as part of the Afro-Solo Performance series, appeared in the stage show Four Brothers Featuring Will Power, performed in Ritual Theater 2000, as well as Celebration of the Word with.....
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