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February 27, 2009 @ 5:17 pm

Black History Month Blowout #20 (A Black History Month Happy Friday Mix-tape and Confessions w/ Robert Hayden)

hayden

Those Winter Sundays

 

Sundays too my father got up early
and put his clothes on in the blueblack cold,
then with cracked hands that ached
from labor in the weekday weather made
banked fires blaze. No one ever thanked him.
I’d wake and hear the cold splintering, breaking.
When the rooms were warm, he’d call,
and slowly I would rise and dress,
fearing the chronic angers of that house,
Speaking indifferently to him,
who had driven out the cold
and polished my good shoes as well.
What did I know, what did I know
of love’s austere and lonely offices?
***
It wasn’t until my father died that I began to understand him.  I was adopted– my foster mom couldn’t have any children of her own and I fell into her lap thru circumstances.  My father was able to father a son with another woman– but kept his distance from his son and his mother and stayed with us.  Only now can I understand my father’s silence, and distance he kept from me.  I was his and not his.  His responsibility and heartache at the same time.  In my late teens and twenties I hated my father– not for anything he DID but what he Didn’t Do.  I hate that he left me alone.  I hate that I didn’t learn anything about sports or cars or women.  I hate that he would sometimes look at me like someone would throw matches at baby seals.  A week before he died of asbestos related cancer, I sat with him in his hospital room a solid hour and fifteen minutes in total silence.  I was twenty three and in spite of all those years he raised me and we’d spent together, he lay there a stranger to me and we had nothing to say to one another.
Only after he was gone did I begin to understand.  My father was born in Texarkana, Texas as Oscar Cagney during the depression.  He never knew or mentioned his father.  His mother, Leola,  remarried a man who had two sons– my father fought those other boys on the regular.  They would make fun of his by his name, Oscar,  by gargling saliva in the back of their throats and spitting into the Texas dirt.    He decided to change his name to something less odd sounding, something more masculine and common.  He chose James, though I never clearly understood when and if he was inspired by the movie star .  Its possible: Cagney made The Public Enemy in 1931, a huge success.   But it wouldnt be until 1941 that Cagney would begin making a series of movies that would catapult him into the upper echelon of fame.  In my personal mythology, my dad chose it at random. 
My father changed his name and ran away from home.  By my father’s account, his mother was a cold woman– the only photo I ever saw revealed a woman with impossibly strong Native American and Black features and a woman for whom smiling would be an issue.  A story he told a lot, after he married my foster mom, Juanita, when they were 15, 16 years old– they apparently ran out of money and went to see his mom, who told them ‘Get off my porch with your hungry belly,’ and shut the door. 
My dad left home when he was 14– not finishing school– and lied about his age to enlist in the military.  He met my mom when he was stationed in Bakersfield and they married in 1945.  After the service, my dad worked for years alongside longshoremen in San Francisco as a forklift mechanic.  It was in that job, helping to unload ships, that he contracted asbestos poisioning.
My parents never talked about my father’s other son, Sean– who is two years older than I am.  Sean would visit from time to time, but it was so infrequent he obviously had another life, another family, another father.  Perhaps.  My father’s longtime best friend, James Lacey (Yes.  Cagney & Lacey.  I couldn’t make that up.) asked my dad on his deathbed if he wanted him to contact Sean, and my father said no.  I have not seen or heard from Sean in more than 20 years.  I know Sean went to the military, and even that I’m not totally certain.
My dad was quiet.  Never taught me to drive.  Never taught me to ride a bike.  Never played.  He kept to himself and the cars he’d kept lined in the driveway.  He’d repair motors in his retirement for fun and money.  My memories of him are sitting in the garage for long hours, or repairing a carbuerator on a mat of newspaper on the dining room table.  He was a huge fan of the blues; John Lee Hooker and Lightnin Hopkins– Hopkins especially since they came from similar parts of Texas.
When my father died in about 1991– it was as if he took the contempt in my heart with him.  After being inspired by an episode of Oprah, oddly enough– I lay on the floor of my bedroom and wrote him a letter of apology.  I suddenly couldnt remember why I disliked him, why I wanted him to be responsible for all the choices I didn’t make.  I wrote to him all I didn’t think to say when I sat with him in the hospital.  It was mostly that I loved him.  It felt as if his spirit stood over me and read and accepted it AS I WAS WRITING.  I almost didn’t need to ‘deliver it’, clumsily,  which I did when I finally went to the cemetery (I chose not to go to his funeral).  I felt sorry for everything I didn’t do.  I didn’t realize or think…  I should have just asked.  I should have wanted to share his life, instead of standing shyly at a distance as if he were an animal that may suddenly pounce.  I remain sorry, even though I know the apology is old news.  I dedicate today to my foster father and namesake James Cagney Sr.
I have no scanned photos of him.  In the movie, I would either cast Gary Dourdan or  Terrence Howard
According to family lore, my father’s cousin was musician Louis Jordan
***
Thank you, Robert Hayden.  This was the first poem I ever had to write an essay about in college.  It perfectly illustrates my relationship to my dad.
carterwoodson1
Thank you, Carter G. Woodson- author, educator, journalist who, along with original gangsta Mary Church Terrell helped create and institute Black History Month.
mary-church1

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February 26, 2009 @ 5:25 pm

Black History Month Blowout #19 (Redd Foxx)

“We was poor back in St Louis where I was born,” Redd Foxx said.  He was born John Elroy Sanford in 1922.  Choose your follow up line:
 
“We was so poor, if I wasn’t born a boy I wouldn’t have nothing to play with for Christmas.”
 
or
 
“One Christmas I went to my dad, I said– Dad!  I want to watch.  So that night he let me.”
 
or
 
“Christmas 1930 I saw a roach pull a switchblade on a rat and take his cheese.”
 
Redd Foxx is one of my idols.  As a teen, I cherished his comedy albums; with Pryor, natch, Foxx was one of the few comics who could put me on the floor, laughing.  Something about his go for it vulgarity.  In some of those recordings, I admired how he seemed to stand on stage, drink and talk shit off the top of his head for an hour while a pianist tinkered on keys in the background.  When I delved back into his earlier work, I was impressed with the structure in his jokes, and how he played with language.
 
Redd’s skin tone and firey hair earned him that knickname.  Foxx was in respect of Major League power hitter Jimmie Foxx, then with the Philadelphia Athletics.
Foxx’s father left the family before he was born.  He was raised by his domestic working mother and grandmother in Chicago where they eventually relocated.  Foxx didn’t do well in school and eventually found himself playing music in street bands.  He and his group once jumped freight trains to Harlem and won second prize on stage at the Apollo.  The group broke up when Foxx was arrested in the hard scrap time of the depression.  When he was released he was on his own– successfully avoiding the draft, and living by hustling pool where he met another red boned hustler Malcolm X, er, Little. 
 
Foxx began working as a emcee in the mid 40’s in Baltimore.  The audience was usually comprised of longshoreman and it was here Foxx developed his blue, dirty storytelling comedy style in order to keep their attention.  Years later, some of the cast of characters Foxx would surround himself on Sanford and Son would come from his early comedy club career and touring the Chitlin CircuitSlappy WhiteLawanda Page.  Leroy & Skillet.  Don ‘Bubba’ Bexley.
 
Foxx is known as the King of the Party Record.  Party records were raunchy music and comedy records featuring black comics, popular in the 1930’s, sold before the advent of television and were intended for adult audiences who couldn’t afford TV’s once they began to spread in popularity.  (Feels strange now to write that)  Party records were sold in Black stores and in some white shops ‘behind the counter’.  The records would often be the center of attraction for Rent parties or general social gatherings.
 
Between the success of his comedy records and his skill on a nightclub stage in Los Angeles, Foxx began to grow in popularity through the 1960’s.  In 1972, Ossie Davis cast Foxx in his film Cotton Comes To Harlem.  Foxx signed on to NBC’s Sanford and Son soon thereafter.
 
Foxx pretty much owned TV (in a way) through the 70’s.  Sanford & Son was a huge success until ABC offered him a ton of money to do a variety show in 1977– while Sanford and Son was still on air, by the way.  The variety show didn’t last.  Foxx returned to Vegas and attempted another sitcom but it didn’t do well.
 
Somehow, Foxx didn’t appear in a lot of movies.   Norman, Is That You? with Pearl Bailey was the film of a now dated stage play.  There’s 1989’s Harlem Nights (co-starring Della Reese) which led to Foxx and Reese continuing their chemistry in the CBS series The Royal Family.  That series did well for a while until during production, Foxx died of a heartattack.
 sanford1

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February 25, 2009 @ 5:01 pm

Black History Month Blowout #’s 18, 18.1, 18.2 (Three Women)

Many years ago, devorah major called and asked me to read poetry for a class she was teaching.  This was in San Francisco way back when I worked for a dot com– and her class was somewhere in the neighborhood.  We knew one another from passing each other at various readings and she was always warm and receptive to my work.  The reading in her class went well– afterwards, devorah invited me to participate in a writer’s workshop she was organizing.

The workshop developed into one of the greatest classes in writing any human being could have found themselves in.  I was that human being.  The ways I now read, listen and edit has been trained and influenced by listening to devorah and the other members deeply dissect submitted work.

devorah is a renaissance woman; a poet, and teacher, yes.  A writer, of course.  A dancer, too– though unfortunately i don’t believe i’ve seen her get down.  Actress, yes!  At SF’s Buriel Clay theater I saw her on stage doing a solo performance incorporating poetry and acting.  Quite affecting.
During the run of that workshop, devorah was appointed poet laureat of San Francisco, performed with a symphony in Italy and represented the Word in Bosnia and beyond… She is also in a jazz/poetry performance group, The Daughters Of Yam, with Opal Palmer Adisa– the second member of that group.
 
Opal is from Kingston, Jamaica.  A writer, lecturer, storyteller, poet, performer and hard working artistic hustler!  No better phrase…  She receives huge admiration from me for her tenacity and dedication and ability to keep it real.  She attended Hunter College in the 70’s, initially interested in mathematics– but was turned on to poetry and considered writing as a career after attending a reading by Sonia Sanchez and laying hands on Jean Toomer’s masterwork, Cane.
 
You can check out her bio– but I want to share a memory.  I once worked in video production and helped shoot a performance Opal gave in the backyard of my friend, Ian, who was producing a series.  Opal brought with her a an african drummer and conjured her poem The Tongue Is A Drum.  Opal is not physically gigantic– but in spirit and performance she has the power of a choir.  Her voice, her poem, stirred the entire neighborhood.  People came to stand in the driveway, carrying babies, wondering What The Hell Was Going On while she danced and possessed the neighborhood with her poetry with what seemed to be the power of all the ancestors behind her.  An extraordinary moment–afternoon, really– and an incredible woman.
BUT WAIT!!!  Then the third member of that writers group is Aya de Leon– truly a spiritual nova who is more grounded, loving, and gifted than should be humanly possible.  Her presence on the planet seems validation that one can live and embody love without sarcasm, selfishness, bias or hate.  Writer, teacher, activist, solo performer, Aya received a 2004 Goldie award in spoken word from the SF Bay Guardian and a 2005 ‘Slamminest Poet’ vote from the East Bay Express’s Best in the Bay…among other awards I probably don’t know about.
 
Aya has taught at Stanford University and is currently director of June Jordan’s Poetry for the People program at UC Berkeley.
 
Its actually overwhelming to think I sat in a circle with these powerful women every month for X number of years and soaked up game.  (Full Disclosure: maybe not enough game.  As they’ve all pummeled me to the point of exhaustion for not hustling my work as hard and with as much dedication as they have.)  But at the same time, my experience with them was more valuable than any university program in the world.  I’m no longer in mourning I couldn’t stay at Howard U.
Just a moment of Black History month love and a huge Thank You, devorah, opal and aya!  And a personal PS to you three: I’ll have you know last weekend I got my first rejection for my book!  yay!  I’m remixing it and sending it back out soon.  God help me, someday i’ll get it together.  Before the year is over something’s gotta give!   Keep watching the shelves…

 

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February 24, 2009 @ 4:39 pm

Black History Month Blowout #17 (Life In Hell)

Does hell exist?
 
The answer seems to be Hell is on earth.  With us.
 
Gently picture the genocide in Rwanda.  As broadcast on tv– bodies laying in piles like firewood or strewn along the ground in some perverse patchwork. 
 
Reverend Carlton Pearson sat watching this unfold on television with his daughter.  According to his story, it was then he received an epiphany from God– forcing him to rethink his perception of what hell is and how it works.

As a minister whom Oral Roberts once referred to as his Black son, Pearson’s licence as a Pentacostal preacher from the Church of God in Christ pretty much required him to reach out and Save as many people as he could.

Save– from what?
 
Well, Eternal Damnation in the pit of hell.
 
Simply by not believing in God– irrespective of how one lives their lives or what religious doctrine they choose to follow, according to the church– if one is not saved, your reward lies in a boiling pot of lava in the pit of hell.
 
So– for all those people, there would be no salvation anywhere.  To live in Rwanda, to be victimized in genocide– to die without ever speaking to a man in a collar, to not know Jesus, you would go from the pile of bodies on earth, to a pot of fire in Hades.  Somehow, this idea doesn’t sit right with Pearson, and me either.  Full disclosure, I am a Christian, and believe in Jesus.  My grandfather was a preacher, and I further acknowledge even he and I might wrestle over this.
 
Pearson didn’t wrestle.  Pearson began preaching a gospel of inclusion.  He stopped believing in hell as a reward, that innocent men and women– who in life were neither bad or sinful, would not suffer eternal damnation.  God forgives sin.  Heaven is open to everyone.  Somehow this idea made many of his devoted parishoners walk out and label Pearson a heretic: a person who’s religious beliefs are in conflict with the church.

And its not as if he comes off as a bad person or a preacher with a pimp nature.  Its not like he owns a fleet of Rolls Royces, appointed in mink, painted a different color for every day of the week…

While listening to Pearson’s story on a 2005 This American Life episode, Ireasoned the church needs hell in order to motivate male parishioners to attend service.  A man needs to understand by doing something (attend church!) he’ll gain something (escape from damnation!)– But without hell, without an obvious punishment for activity, without thinking that you are being judged by your actions and they count either towards your reward or your discipline– what reason is there to attend church?
 
Discuss.
 
Carlton Pearson is a native Californian, born in San Diego, 1953.  He is a singer, author, and minister– currently presiding over New Dimensions Worship Center in Tulsa, Oklahoma.  He attended Oral Roberts University and studied ministery under Roberts until that snag happened.  Afterwards, Roberts and many of his followers cut ties with Pearson and considered his new beliefs dangerous.  In his own words:

I think we in evangelical Christianity have ignored the Sovereignty of God and limited the scope and sweep of His great Love toward all. Scripture says, “While we were yet sinners, Christ died for us” ( Romans 5:20)— He died once for all. (Romans 6:10 and 1 Pet. 3:18) And contrary to popular opinion, our belief systems and religious presuppositions do not invalidate or reverse the effectiveness or efficiency of the finished work of Calvary. (Rom. 3:3).
 

The whole world is saved (redeemed), but all are not aware. 
 

 

 

 

If death is automatic because of Adam, life is automatic because of Christ, without our vote or prior approval. As the disobedience of one man made us all sinners, by the obedience of one man we were all made righteous. (Romans 5:12-14 and 1 Cor. 15:22).

 

 

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February 23, 2009 @ 4:44 pm

Black History Month Blowout #16 (Love Story of a Black Cowboy)

Born in Tennessee a slave in June 1854, Nat Love’s father defied the law and taught his son to read and write.  In 1907, near the end of his life and at the request of his friends, Love wrote his autobiography, entitled (inhale):   The Life and Adventures OF NAT LOVE BETTER KNOWN IN THE CATTLE COUNTRY AS “DEADWOOD DICK” –BY HIMSELF– A TRUE HISTORY OF SLAVERY DAYS, LIFE ON THE GREAT CATTLE RANGES AND ON THE PLAINS OF THE “WILD AND WOOLLY” WEST, BASED ON FACTS, AND PERSONAL EXPERIENCES OF THE AUTHOR 
Even the idea is fascinating: being born into slavery, then to become a cowboy and end up… Well, hang on.
   
If anything, I was surprised to find Love’s autobiography a great, action packed historical read. 
As an adult, Love traveled to Dodge City Kansas and became a cowboy.  He rode across country moving cattle and horses.  The first group of men he rode with broke him in by getting him to ride a wildly pitching horse.  Apparently, Nat held firm and survived.  “They had taken me for a tenderfoot, pure and simple.” Love said.  The horse was his ‘interview’.  “After I got tired and I dismounted,” Love wrote “The boss said he would give me a job and pay me $30.00 a month.”
“He asked what my name was and I answered Nat Love, he said to the boys we will call him Red River Dick.  I went by this name for a long time.”
He rode cross country transporting cattle and horses.  In July 4, 1876, Love and the team he rode with found themselves in Deadwood, South Dakota in time for a rodeo.  Now begins this passage from his book:
…The gamblers and mining men made up a purse of $200 for a roping contest between the cow boys that were then in town, … It did not take long to arrange the details for the contest and contestants, six of them being colored cow boys, including myself. Our trail boss was chosen to pick out the mustangs from a herd of wild horses just off the range, and he picked out twelve of the most wild and vicious horses that he could find.         The conditions of the contest were that each of us who were mounted was to rope, throw, tie, bridle and saddle and mount the particular horse picked for us in the shortest time possible. The man accomplishing the feat in the quickest time to be declared the winner.…The name of Deadwood Dick was given to me by the people of Deadwood, South Dakota, July 4, 1876, after I had proven myself worthy to carry it, and after I had defeated all comers in riding, roping, and shooting, and I have always carried the name with honor since that time.

         It seems to me that the horse chosen for me was the most vicious of the lot. Everything being in readiness, the “45″ cracked and we all sprang forward together, each of us making for our particular mustang.

         I roped, threw, tied, bridled, saddled and mounted my mustang in exactly nine minutes from the crack of the gun. The time of the next nearest competitor was twelve minutes and thirty seconds. This gave me the record and championship of the West, which I held up to the time I quit the business in 1890, and my record has never been beaten. It is worthy of passing remark that I never had a horse pitch with me so much as that mustang, but I never stopped sticking my spurs in him and using my quirt on his flanks until I proved his master. Right there the assembled crowd named me Deadwood Dick and proclaimed me champion roper of the western cattle country.

 

In 1877, Love was captured in Arizona by a band of Indians.  In his words;

 

 They were all well mounted and they were in full war paint, which showed me that they were on the war path, and as I was alone and had no wish to be scalped by them I decided to run for it. So I headed for Yellow Horse Canyon and gave my horse the rein, but as I had considerable objection to being chased by a lot of painted savages without some remonstrance, I turned in my saddle every once in a while and gave them a shot by way of greeting, and I had the satisfaction of seeing a painted brave tumble from his horse and go rolling in the dust every time my rifle spoke, and the Indians were by no means idle all this time, as their bullets were singing around me rather lively, one of them passing through my thigh, but it did not amount to much. Reaching Yellow Horse Canyon, I had about decided to stop and make a stand when one of their bullets caught me in the leg, passing clear through it and then through my horse, killing him. Quickly falling behind him I used his dead body for a breast work and stood the Indians off for a long time, as my aim was so deadly and they had lost so many that they were careful to keep out of range. But finally my ammunition gave out, and the Indians were quick to find this out, and they at once closed in on me, but I was by no means subdued, wounded as I was and almost out of my head, and I fought with my empty gun until finally overpowered. When I came to my senses I was in the Indians’ camp.

Love remained with the Indians for a while– they treated pretty well, even broke him off with some squaws— but he eventually escaped.

In Mexico, he met and fell in love with a Spanish woman, who eventually took sick and died.  After that, the life of being a cowboy ‘lost its attractions’ and he relocated to Denver, where he met his second great love and first wife.  He married Mrs. Love in 1889.  While in Denver he took a job as a pullman porter with the railroad. 

He died at age 67 in 1921.  You can, and should, read his autobiography here.

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February 20, 2009 @ 4:20 pm

Black History Month Blowout #15 (Rolle Model!)

Born in Texas, October 1986– the year I graduated high school, sigh– Myron Rolle was raised in New Jersey.  Rolle is Bahamian and his family–he is the youngest of 5 brothers– are from Nassau.  He played varsity football, maintained a 4.0 gpa, played in the school band and was the school newspaper’s sports editor.  ESPN considered him the number one high school prospect nationwide. 
 
Rolle was a finalist for Oxford’s Rhodes Scholarship–  an award given to only 32 american students a year.  32 awards in 1902, 32 awards in 2006.  In the past 31 years, only two ACC athletes have won it. 
Historically, the Rhodes Scholarship excluded women and was intended to benefit members of the Anglo-Saxon race.  The man for whom the award was named was super wealthy English businessman and mining magnate Cecil Rhodes.  He once said: “…we (the British) are the finest race in the world and the more of the world we inhabit the better it is for the human race.”   Uh huh.  Forgive him, Rhodes was old school.  And he died in 1902.
 
Rolle’s interview for the scholarship was scheduled simultaneously with a football game he was to play.  The NCAA let him use a chartered plane — to pick up his award and three hours later fly back to play ball.  This past January, Rolle announced he will attend Oxford and earn an M.A. in medical anthropology before entered the NFL Draft in 2010.
Rolle’s goal is to return to his birthplace in the Bahamas and open a clinic as a neurosurgeon.

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February 19, 2009 @ 4:03 pm

Black History Month Blowout #14 (George Herriman)

Invariably, if a cartoonist or comic artist gives a shout out to someone who inspired them, many give shout outs to George Herriman, the creator of Krazy Kat.
 
Now hold that thought.  Days back, I sat and ate a nice hot bowl of crap from my potna– capping on me for ‘accidentally’ including Sri Lankan Mia for Black history month.  (But she’s in Vibe!  Don’t that… nevermind.  Vibe doesn’t count period)  Today, I include George Herriman– since I know all of nothing (except he was greatly admired) and since African Americans claim him,yet in his professional life he happily passed for white.   What I can’t google: Did he, would he, ever claim us?
Maybe he had to Do What A Brotha Has To Do.  Life in the early part of the 20th century is abstract history to me.  I know the facts, but I don’t know what it FEELS like to be black and in a time and world where I would be pretty much seen (if at all) as a utility, something akin to a service mule.  No matter how talented I was.  (Another aside– this reminds me of Nat King Cole; however gifted he was as a singer and musician, NBC could never find a sponsor for his short lived program.  NBC financed it independently until they could no longer afford to support it)
So, George Herriman was born in New Orleans, 1880.  He was a light skinned Creole whose parents were listed as mulatto on the census.  His family moved to Los Angeles due to the south’s restrictive Jim Crow laws.  His father worked as a baker, but a teenagered Herriman pursued his artistic flair and submitted and sold his first drawings to the Los Angeles Herald.  When he was 17 he began working at the paper & many of his coworkers thought he was of Greek heritage– something he never denied.  On his death certificate he is listed as Caucasian.
 
Herriman created several Sunday comics; including 1920’s Krazy Kat, which is considered one of the best ever made.  Going over some sample strips, I can see its influence from Looney Tunes to Dr. Seuss and straight through Bill Watterson’s Calvin & Hobbes.  Over time Krazy Kat lost popular appeal due to Herriman’s penchant for the surreal– however fans of the strip; (Incld. his publisher William Randolph Hearst and poet ee cummings) the intellectuals, art collectors, other artists, were die hard devotees.
Herriman married Mabel Lillian Bridge in 1902 and they had two daughters.  Herriman’s wife died in 1931 due to an automobile accident.  One of his daughters, Bobbie, unexpectedly died some 9 years later at the age of 30.  Herriman never remarried.  He died in his sleep of ‘non-alchoholic cirrhosis of the liver’ in 1944.  He left incompleted strips on his drawing table.

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February 18, 2009 @ 4:29 pm

Black History Month Blowout #13 (Five Blind Boys Of Alabama)

They formed at the Institute of the Blind in Alabama, 1939.  That’s 70 years– a fistful of years longer than the Stones have been together.  Members, natch, have been replaced over and again.  For decades they were strickly gospel–but have expanded their repetoire to include non-gospel songs that still have a spiritual root.  At first their cd Spirit Of The Century raised my eyebrows, seeing their cover of Tom Waits’ tunes– but no.  A closer inspection revealed that Way Down In The Hole, the title song they did for season three of the series The Wire, and Jesus Gonna Be Here are both songs that have a strong spiritual message.  When I first heard Jesus Gonna Be Here for example, I thought– I’d love to share this with the church, but them old schoolers would be suspicious of Tom’s Godzilla like voice barrelling through:

I got to keep my eyes open
So I can see my lord
Im gonna watch the horizon
For a brand new ford

I can hear him rolling on down the lane
I said hollywood be thy name
Jesus gonna be
Gonna be here soon

I first heard of them in 1985’s The Gospel at Colonus– a gospel music retelling of Oedipus at Colonus (with Morgan Freeman at the plays’ preacher, er, Messenger).  Thanks to the library I began digging through their catalog and found a motherlode of incredible songs.  The group pays listeners back with a tonality and harmony that strokes your spirit.   Though the group has been together longer than the Grammys have been handing out awards, from 2002-2005 they won Best Traditional Soul Gospel Album.  That’s certainly one way to describe their work.  Um, did they even have any competition?  Its not even worth googling…

Wikipedia has a cool list of their albums since 1948.

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February 17, 2009 @ 1:10 pm

Black History Month Blowout #12 (Lightnin Hopkins)

Sam Hopkins was called to minister the blues at age 8 when met Blind Lemon Jefferson at a church picnic.  By 1946  Hopkins was performing in Houston’s Third Ward when he was discovered by  a rep from Los Angeles’ Aladdin Records.  She convinced Hopkins to travel to Los Angeles and record tracks with pianist Wilson Smith.  An executive at the label was who gave Hopkins his “Lightnin” knickname.

Hopkins eventually returned to Houston and continued recording and performing.  Hopkins was one of the most prolific blues musicians when it comes to recording—its estimated he’s made between 800- 1000 songs over the span of his career.

Folklorist Mack McCormick introduced Hopkins to a wider audience by signing him onto a folk revival tour.  He debuted at Carnegie Hall in October of 1960, sharing the stage with Joan Baez and Pete Seeger.  Through the 60’s and 70’s, Hopkins travelled world wide playing festivals and touring colleges and folk music clubs.

Get a sample of his music and hear one of my favorite stories in the documentary Les Blank made about Hopkins back in 1967.

Hopkins died of cancer in 1982.

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February 16, 2009 @ 6:29 pm

Black History Month Blowout #11 Marcus Foster & ED Bullins

As a native of Oakland, one of the names Ive heard and seen a lot is Marcus Foster. Originally from Pennsylvania, he served as principal of Simon Gratz high school in Philadelphia as well as Associate Superintendent of Schools.  He eventually became the first African American superintendent of the Oakland Unified School District.

 

 

In 1973, he was the first person assassinated by the Symbionese Liberation Army—not so much an army as a gang of thugs who kidnapped Patty Hurst, committed bank robberies and murdered Foster with cyanide coated bullets.

 

They had issues with Foster whom they believed supported student i.d. cards—something proponents claimed would help keep non-student drug dealers off campus.  Turns out Foster’s actual plan wasn’t quite as restrictive. 

 

The city of Philadelphia awarded Foster for the work he had done for their school district and eventually created an award for noteworthy school administrators. Here in Oakland there’s the Marcus Foster Educational Institute giving scholarships to High school students and awards to teachers who’ve created unique projects.

 

Shout out here to Ed Bullins,  born in July 1935 in Pennsylvania.  Bullins is primarily a playwright – His first, How Do You Do, premiered at the Firehouse Repertory Theater in San Francisco  in 1965.

Bullins found inspiration in the work of Amiri Baraka  whose plays touched on themes Bullins himself wanted to explore. Bullins along with Baraka, Huey P Newton, Bobby Seale, and Eldridge Cleaver helped found the cultural and political organization called The Black House.  Bullins eventually would become the minister of culture for the Black Panther Party.   But the Panthers were after more propagandistic theater than what Bullins wanted to explore, so eventually left to focus on his own writing.  In 1967 he became playwright in resident at the New Lafayette Theater in New York.  He is the author of more than 50 plays.

 

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About

James Cagney is a writer, poet and performer as well as a Cave Canem fellow from Oakland, Ca. He's appeared as a featured artist at venues such as the San Francisco Public Library, The Starry Plough, La Pena Cultural Center, Above Paradise Lounge, The Stork Club, Spasso's Cafe, The Java House, Mahogany Restaurant, and OK Hotel among others. He has performed the monologue The Two Chairs as part of the Afro-Solo Performance series, appeared in the stage show Four Brothers Featuring Will Power, performed in Ritual Theater 2000, as well as Celebration of the Word with.....
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